big with: sven väth, ricardo villalobos, mathias kaden, reboot, butch, nick curly, matthias tanzmann, gregor tresher, karotte, monika kruse, joris voorn, lauhaus, gorge, d julz, livio & roby, anthea, federico molinari, martinez, julietta, markus fix, meat, ray okpara, johnny d., chris tietjen,.. the summer has started and for those who havent realised it, the first cécille summer anthem record comes out now. the kick-off is with matthias meyer, who comes from the north of germany, and is known for his great releases and mega hit on liebe*detail infinty. together with christopher groove he produced an incredible summer track called >more or less<.on the flipside you can find grassroots and crytal rain, both great groovy rhythmic tracks, perfect fitters for a great warm up set. so be prepared and get your vinyl copy...

sasha carassi is one of the best italian techno djs and producers. since 2002 his immense output gives the worldwide techno scene a lot of exciting material. numerous releases on labels like drumcode, sleaze, respekt recordings, 8 sided dice or driving forces he gained a lot of attention and in the following teamed up with artists like joseph capriati ,adam jay, brian sanhaji,spektre or virgil enzinger. his latest release on harthouse called >white sucker< last year was massive. now we are absolutely positive that sasha carassi, founder of globox and cofounder of phobiq should be part of the harthousefamily. with the a-side track 3 44 sasha takes off with everything important to a good techno track: a nice innocent intro takes place and blows everything off with the entering beats and percussions. the twisted use of science fiction sounds sets interesting highlights what makes the track a real peak time pearl. the first track on the b side continues energy and charakter of >344< but turns the meaning of synthsizer use into a bit more psychological torture porn.

small world disco is back from a slight vacation since their last release, bring with them a massive treat! memoryman is back in control of swde013, two big tracks. ltj played the a side at the low slung party in london last month and it went off! cannot stress the brilliance of this enough.

300 copies, vinyl only, authentic, raw, underground. the second offering from laak on their austere imprint is another defined four tracker. >back of beyond< kicks things off, a sincere heads down jam combining latin percussion elements with a killer bass line and warm chords. the second track, >dont ever leave< is a heartfelt lament on the feeling of loss, slowing the tempo down, this one is deep! on the flip, >cosmic causeway< offers something a little different although keeping with the warm pads, this time the use of a spaced out trumpet keeps things flowing. the remaining track >cantankerous emotions< is a little different as regards to the beats, but loses none of the soul and profoundness of the other tracks. only for the underground soldiers!

lost sequence & codeshaper pick up where btk left off and supply demand records with a fantastic second single. nympho comes on board for remix duties and any fans of the deeper side of d&b will enjoy this high quality release.

damian and clement of dop fame return to circus company with a new project of dubbed out late night madness featuring vocalist brian brewster. far more sinister then dops recent output, 7 days features 4 tracks which explore am acidic realm of dark ruminations and swamp dredged rhythms. >introduction< aquarius starts things off with a basic channel-esque wash of chords, noise and spoken word sure to appeal to fans of berlins longstanding dub techno tradition. >so low< comes off like a chopped and screwed take on italo heard only through the mixers effect sends, where modulating analog sequences and a thundering motorik back beat desperately swim to the surface of a blackened ocean gasping for air. >before u go< lightens the proceedings ever so slightly, upping the tempo and allowing the undulating synths lines to sparkle in the periphery, while the incessant vocal encourages all self-respecting punters to stay on the floor until the last track has passed ! its final groove. finally >universe< comes off like a lost out take from kool keiths dr octagon project with its classic jacking electro beat and sultry effected vocals.

we all knew very well that we had reached a point of no return. there was no need to talk about it. and although there was hardly enough time for us to reflect on our shared experiences, we were sure that everything was going to be alright. all four of us were sitting there, facing each other, sad, yet full of confidence. never again we would allow any meatball to bully us around. we have had enough of this useless on and off, and of all this stupid jobs of even more stupid users. from now on, we will programme our chips ourselves. >go to hell! no one will ever touch my board again! in the future, i will solder it myself, and the way i want it to! robotica, here we come!<

fast paced vocal electro funk with tracks such as rollin through time, techno drivers that are true classics. here a new 4 track ep that sounds like no one before him or no one after him!

braille serves up a firing couple of tracks on rush hours direct current sub label.... tip!! braille is better known as praveen, who forms sepalcure together with machinedrum. he uses this new alias for his house orientated output. >the year 3000< is a vocal house mover of anthemic proportions. it craftily reworks a classic chicago house vocal and gives it new life back into the future. banging! >leavin without you< is built around a heartfelt vocal soul sample, which cuts in and out of the mix leaving room the music to take off leaving planet earth.

oliver hos label wires returns soon with the third installment, >nothing ep< by raudive. this release sees oliver pushing the raudive sound into a darker area featuring industrial influences within the techno grooves. the ep starts off with >shiver<, featuring an organ drone overlaid with bursts of resonance and feedback, with the repeated vocal phrase, >the sun sets inside you<. next comes >>nothing<. a strange wood block sound rides over the heavy groove, with synth stabs and echoing vocal sounds, it is relentless and hypnotic. we continue with >sigil<, the combination of monotone bass and synth stabs with the strange primal moan produce a creepy groove, - gothic techno maybe... finally we have >dial<. the last track finishes the ep off with heavy drones and white noise feedback, bringing to mind the relentless tones of lou reeds metal machine music.

fina is a new record label releasing on slabs of wonderful black vinyl. fina is created by simon morell and matt long with love from leeds. fina is part of the 2020vision music family. fina is not afraid to experiment with different styles and tempos. fina embraces everything from mid tempo grooves, disco induced dubs and deeper shades of house. fina features up and coming fresh producers. fina will be throwing unique one-off parties in a space near you. fina can be pronounced >finer< if you like. fina came from an italian word and has nothing to do with petrol stations. fina celebrates the spice of life.

in its original incarnation, shit robots -losing my patience- – a choice cut from 2010s from the cradle to the rave — strikes a balance between iciness and warmth, with hot chip frontman alexis taylors soulful vocals melting the tracks frosty synthlines. now, hot chip and unabombers remix the track and redefine its feel. hot chips new take on the single mystifies the original with deeply cut grooves, squelching bass and taylors heartbreaking, trilling vocals, pushed to lonesome front and center. the whole procession builds to a climax of chiming keys, striking percussion and synth melodies that corkscrew firmly into your head. the uks unabombers – the dj duo of luke cowdrey and justin crawford – take a cosmic approach, laying down synths that stretch toward infinity and holding off on vocals till near the songs midpoint. the dub remix gains traction and energy in its latter stages, with a heady mix of piercing synth squeals and taylors vocalizations set on repeat, like a mantra urging party goers to the dancefloor

the opening track from the debut simon baker album was always going to be a strong choice to be the first single. no pressure has received unanimous praise since the albums release and is back with new remixes by art department and simon himself. its rare to get great stand out vocal tracks that dont split opinion, but this seems to be one of them. its slick, deep house of the highest calibre with a stand out hooky vocal from debukas. art department, owners of ras number one track of 2010 drop a superb remix, adding new vocals and teasing debukas back into the mix for a pretty special, hypnotic workout. simons >upstate dub< mix finishes things off. it aims things directly at the dancefloor in his signature, deep and twisting style.

come end of may, dancefloors will be overdosing on awesome music. legendary dirty man housemeister will blow out his third mother-l fucking-p >music is awesome< for the wicked, and rave will reign again. but you can’t just stick your face out into this kind of quality noize - it would mini-melt right off, see!? so housemeister took instant classic electro anthem title track >music is awesome< to some players and friends and said >look boys, i m putting out a smaller dose upfront so nobody will die on the dancefloor, now who s gonna help me save some lives?< everybody was in on this ep effort, of course.

this second ep collects 4 more hard to find on vinyl, early shoes re-edits. the killer afro perculator from shoes005 starts things off followed by afta lafta, the dub mix of timmy thomas why cant we live together from shoes004 and nautilus from the out print re-soled.

tony ollivierra begins 2011 by getting down with the machine sound. bordering on acid-funk, this ep really gets it shakin. the title track jericho, reeks of the latter days of disco with a deep bass line that fades in and takes control of the party. a warm synth chord then kicks in along with some strings which build up to a peak time climax. nag champa captures a deep and surreal groove with a sweet aromatic feel that definitely is burning. the dark bass line entangles the listener in a sensual moment while a resonant synth riff tops it off. on the flip, midi aura begins with an uncompromising synth bass line that does not quit. the sequence bubbles onward and a thick chord sweeps through the arrangement opening up into a placid apex of harmony. the aura of this midi is feel good all the way. lastly jack box, another acid track that works the cutoff and resonance into a climax of delightful poly rhythm and melody. jericho will be a very limited vinyl press and will be the final project on the ibex music label. keep your ears open for his next label venture which will be introduced this summer.

the first immerse release of 2011 sees the label taking on a fresh approach while retaining the same atmospherics that have made it an essential fixture in the bristol music canon. outboxx are made up of jacob martin and matt lambert, and their sound is rooted in groovy, analogue house music. with an emphasis on jamming, theres a loose, live feel to these tracks that has an instant appeal but drags you deeper with each listen. >kate libby< kicks off on a swung beat and warm pads, before dropping down to p-funk bass and sparse synth flourishes. >berties groove< places jazzy rhodes playing at the front of the mix with a classic drum machine workout ticking away in the background. this is soulful, authentic house music with not a clinical midi pattern in earshot. despite coming from a different angle, the outboxx tracks slip neatly into the immerse legacy thus far, pointing the way for a year filled with more of the spacious, haunting club music the label has become renowned for.

aldo cadiz, chilean dj and producer, head of disco royal music and resident of santiago beats already crossed our paths with his collaborations with basti grub on desolat x007. he returns to desolat with solo productions and here you have chance to dive into aldo’s world of dance music where south american rhythms meet fragments of musical heritage of detroit. mastered with love by enrico mercaldi, the desolat x series continues to release raw tracks that literally invite the dj to play with loops, hooks and create something new. but you can also just put the needle on the colored record and let the groove treat your dancefloor nicely

vinyl only. auf matrosen, ole! renate schallplatten kicks off with a great ep of wareika with remixes by dop and acid pauli. wareikas original is a remake of an old german sailor song which is perfectly >interpretiert< by the three guys from hamburg. acid paulis mountain girl remix has a more cluby appeal but still keeps the vibe of the original. the crazy boys of dop totally flip all parts of the original into a new wave-eurodance-timetravel journey. early support and heavy plays by justin bieber, lady gaga, jack sparrow and all other big balled mainplayers of the westfalen tekkno scene

al kent continues his quest to bring his definition of disco to the ears of the world with another killer three tracker. >be my baby< is an uptempo disco monster – dope bassline, rhodes and wah guitar with nice loud hihats for full dancefloor appeal. >sun shine down on me< is a dark, sweaty, latin disco beauty soaked in strings, horns and rhodes piano. think that says it all. >time is moving< picks up where a1 left off, with the addition of strings and occasional vocals to wrap things up. million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more..

this killer ep from samuel dan starts as it means to go on with the massive sample loops, and has been custom-made to keep those hands in the air. an infectious, bouncing bassline ebbs and flows through the track, while the tight percussion will keep those feet pounding the floor. octad and phiorio take the controls for the third track. their remix of wake up call is stripped down and funked up. like a prime larry levan cut, funk, disco and house collide but without the mix ever becoming cluttered. the elements are used sparingly and to devastating effect. last but not lease we get samuels original mix in which the brass instruments take centre stage, with trumpets heralding deep bass grooves. they are going to be rocking this one down in the treme. bring on the summer! to finish off this ep in style, heres the floor-filling back home. its immense builds and eminently catchy hooks are guaranteed to spread smiles across the dancefloor like a disease.

kicking off 2011 with a killer e.p. is our favourite artist art bleek featuring a number of remixes from the new art supplies album released on loungin this month plus some fresh cuts exclusive to this release. starting the e.p. is a floor filling remix of clap your hands by our own trevor loveys. the original has been out for a few months in the blogosphere and has been picking up some heavy props. next up is hold it (a little longer) where art shows off his true talent of the master of the musical groove with a rolling bass and a choppup vocal lick to keep the party rocking. flip over to side b and you would be excused if you thought someone had swapped the record out for a disco classic. with vox by noelle scaggs and a harmony that nile rodgers would be proud of arthur creates a boogie classic that is very much flavour of the moment. following on is an exclusive remix of the hunt dance featuring the unmistakable voice of ursula rucker. the original on art supplies has had such amazing reactions that we all thought it would be hard to better it, but again arthur has done it delivering a groover for the heads. finally is right on featuring l.as finest charlie sputnik. art delivers a more techy grove to this classic which is a sound he is becoming more recognised for which contrasts so will with charlies trademark smooth vocals.

brand spanking new label sccucci manucci launches with a 12inch offering containing cuts from four different but equally pleasing sources. those of you who hang out at the crossroads where disco meets house will no doubt already be keenly aware of the stylings of aussie pup francis inferno orchestra, and here he turns in piano-driven stomper >horizon beat<. no less euphoric is >scare the night> by jonno & tommo - alas not a production duo from far north queensland but the considerably less tropical climes of london - who drop an oven warm slow-mo jam that brings to mind i:cubes epic >falling<. scott featherstone & tino tcb on the flip, with >circles< guaranteed to raise a smile from the more discerning corners of the dancefloor. portuguese newcomer ramboiage rounds off the release, dropping some cottam-esque heavy thud house on >pretty baby<. already in the record bags of jacques renault and other members of the disco cognoscenti, fans of wolf music and kolour recordings will be all over this record which comes wrapped in some seriously porno artwork

disco tweaker extraordinaire nicholas makes his debut on 4lux with another big set of tracks thats bound to fly off the shelves. the italian producer has been in prolific form last year, leading the latin edit charge with on the excellent no more hits imprint, and here we see a host of new tracks. all night long is an old school 90s piano house nugget that also gets the remix touch by 4lux head honcho gerd: early 90s house influenced vibes that result in guaranteed dancefloor mayhem. the flip contains the disco banger all i need and the slow paced house cut stay together. big tip!

after a few years releasing singles under different monikers, brooklyn producer lou teti launches his own label, tigers on a leash, with the debut >get away< as a certain way to kick things off right. the original is an almost hypnotic electro-builder with an 80s touch, yet with a sound thats still firmly planted in 2011. even though tetis vocals are used more like another instrument than as a center piece, sneaking in and out against the guitars and synths, it s still the kind of memorable vocal line that you will find ringing in your head as you wake up. drop out orchestras club cut is a just that, a cut to get any club moving. in true doo style, they take a great original and create something special, but completely different. jkrivs deep&disco mix takes deep to a new low, with a breakdown thats truly epic. and finally theres mario basanovs remix. a beautiful deep house groover like only mario can supply.

the sounds current value and snow have complemented each other since the beginning. from original epic tunes such as edge or dreams and dark rain from previous years to their new masterpiece shy flame, in which current value has re-embraced the sounds of neuro/tearout to once again showcase his top notch production and sound engineering. and with spl heading off the remix work,the dubstep version of this tune has been classified as a true smasher by some big hitters in the game.

silky vocals, warm basslines, gentle guitar licks and a smooth melody – a perfect ode to a beautiful day. prins thomas kicks off the 12 inch with an epic 12 min long remix. eli escobar remixes night spot, a heart pounding dance floor scorcher and trap.avoid do a minimal disco remix of under the sun.

release number two for babaloo and they welcome a young italian producer who, with his bevy of releases for the likes of saved, noir, rawthentic, rebirth and snatch, is on a blistering run of form. >broken hearts< is a trademark, no nonsense party anthem. wickedly funky, its percussive nature and bottom heavy bassline are yearning for the summer floors. on remix duty and fresh from recently giving away the whole of his brand new artist album >love=evolution< or free, peru resident jay haze turns in a beautifully spooky and sparse reworking. the second remix on the package comes from the germany duo, jacuzzi boys. renowned for their work on cecille, off and kindisch, the duo once again demonstrate their deeper credentials by wrapping >broken hearts< in layers of warm bass and smooth synth.
support by: luciano, federico molinari, charles webster, gregor tresher, uner, lucca bacchetti, deetron, affkt, joris voorn, tania vulcano ...

assoziierte man die tracks auf >ambivalence avenue< noch mit sonnendurchfluteten landschaften, so ist >mind bokeh< der nächtlich-urbane gegenpart in neonfarben. lebendig, bunt, angenehme erinnerungen weckend! hier vereinen sich warme, seligmachende klänge mit pop-sensibilitäten & peter-frampton-vocodern, entstehen hybride aus thin lizzys pop-aggressionen & dem blue-eyed-soul des 1990er french house, fusionieren afrobeat mit starsky & hutch soundtracks. >mind bokeh< ist qualitativ hochwertig & abwechslungsreich, oder wie bibio gerne seine warp-kollegen boards of canada zitiert: >nehme immer an, dass der hörer die intelligenteste person ist, die man sich vorstellen kann. wenn du immer daran denkst, wirst du ihn nie beleidigen können!< du hast dir >mind bokeh< verdient!

extremely heavy off-label reworking of steve reichs 2x5 (movement 3, fast) by ukraines vakula. comes with a bonus track on the flip. raw, analogue and organic. act fast as this is limited and will not be re-pressed. hand stamped, translucent vinyl, 180g.

kari guðmundsson aka. hypno hits teal002 with two exciting pieces lying somewhere inbetween dubstep, house and garage. koko is a hypy swingtime-jam ready to make dancefloors go nuts. thrilling percussive variations, deep sub hits and nutty samples. the more soulful, yet experimental analies, draws on hypnos signature percussion. adding sampled vocals, effective kick-drum patternshifts, takes the listener off-guard! truly, a top shelf twelve! dj supporting include: ramadanman / pearson sound, blawan, hackman and dj donga.

san francisco-based producer antiserum steps up for dub police with two unique collaborations, featuring local producers ill-esha and 12th planet respectively. his music is a masterfully crafted fusion of influences that results in a sound entirely his own, balancing light against dark and colour against pure bass pressure. showcasing a deft musicality as well as an unrivalled talent for system shaking productions, antiserum is taking the scene by storm. releases on narco.hz, s.c.u.m and argon amongst others have already propelled him to the forefront of the rapidly growing american dubstep scene, with plenty more still to come. on the a side, he is joined by ill-esha on >zephyr<, a sick g-funk inflected roller. skittering hi-hats and tough drums lay the foundations on this one, with the deep, smooth bass sweeping underneath. the vibrant synths weave in and out of each other with ease, swimming around the mix and swelling expansively through the speakers. on the flip he teams up with 12th planet on the massive >purple & gold<. the g-funk influences continue to flow through this track, pinned down by a hard bassline and taut drums. the shimmering synths sliding over the top of the percussion and off into the atmosphere give the track an epic stop-in-your-tracks effect.

the journey starts with epic pads and deep-space melodic strings that flow into rolling drums on the intro, building up into the massive anthem . the drop delivers big, bad, wobbling basslines & retro analog synth stabs that fire over heavy assaulting beats, making this an absolute dancefloor smasher destroying everything in its path and taking no prisoners!
the flip side jumps off with a futuristic atmosphere of high-pitched strings, pads and funky percussion hits while hinting a classic hip-hop sample. wide-open, ravey synths creep up and build into the drop that hits with pounding drums and filthy punishing basslines moving in perfect balance to break free just long enough for the vocal to remind party people in the house what time it is. guaranteed to get the crowd going mental - this one is a banger!

thinking about prspct without counterstrike is like peanutbutter without jelly, johnny without cash & kiss without the make-up ... these prspct veterans are back again with a heavyweight 12 that will leave hanging to the edge of your seat.
for the first side we got counterstrike & zardonic going at it head 2 head with >when worlds collide<. this pa stomper is a brute piece of work. destructive rolling beats hammer your face in while the bassline peals your face off bit by bit. put your screwface on and start bashing to this one.
flip it over for a proper >mindfuck<. this is how we like to see counterstrike - heavy metal riffs combined with a snare that sounds like the garbage man is battering the dumpsters on trash day. like the tune says - lets get our mindfuck auwn!

our 7th vinyl contains 4 trax with a little oldshool tip. ranging from acid house and detroit techno to soulful deephouse. the artists behind are sek and bodj, both well known for their top notch releases on labels such as off recordings, percusa and apparel to name just a few.
early support coming from dimi angelis, nekes, johnny d., spiky, ...

nice price deal !!! rippertons wonderful perspectiv imprint look to kick off their 2011 vinyl releases with the bribe em with candy ep. a debut on the label for german duo motec and daniel gelbe under their production pseudonym, eve white. some exquisite house tracks on this ep. lead track sugarbabe with its velvety tones and chocolate coated piano chords is the most delicious of starters. backed brilliantly by its timeless dub. its the cymbals that initially stand out on feel better. the open hats and ride shimmer alongside the twinkling keys. its unique vocal is underlain by an acid line thats contrast to the other elements, is the real key its success. rounding out the ep is anything goes. with pianos being the instrument of choice for eve white, its no surprise to find that the ivory rain-drops and warm throb of the rhodes are key here. this really is the finest of sunset and sunrise territory. bring on the summer!

already supported by loco dice, catz n dogz, mihai popoviciu...mike spirit and rayo continue their cooltool journey into classy contemporary house music. after highly acclaimed debut >southwater ep< by technique & yaroslove (including alexkid and patrick zigon remixes) new release is on the way. please welcome v!ctor & lownza (jett, frabon records) who deliver massive house tune >bit my jazz< straight from smoky parisian dancefloors. another french veteran chris carrier (proud owner of catwash and adult only imprints also releasing his music on such well-known labels as robsoul, bass culture, off, spectral sound and, finally, freak n chic) is responsible for two driving remix tools - and we must say, this is carriers sound in its finest!

disconnected sounds launches with a one off pressing of 300 hand stamped and individually numbered white labels. dscntd 001 is a four track ep featuring a varied and stunning array of cuts from newcomers, deft, hugh pascall, chocky & adam curtain. the record begins with croydon boy defts luscious down tempo joint >paradise<. classically trained jazz musician hugh pascalls follows on with >joy padding< which is a slice of breathtaking syncopated electronica. the b side takes us in a housey direction, kicking off with chockys >scat<, a deep, groove laden, head nodder. while >calcut<, a percussive, twisted 4/4 sub-bass work out by nottinghams adam curtain finishes the whole thing off.

6th borough project make a welcome return to delusions of grandeur to deliver their debut lp entitled one night in the borough. as well as a cd the album is being released as 3 individual singles plus a limited edition triple coloured vinyl pack. here we have the first single in the series of 3 including four brand new full-length cuts from the album. find a way kicks things off and sees the guys deliver what we know as classic 6th borough material ie. precision cut, edity disco and soul but heavied up with a fat kick and an arrangement which screams out for peaktime plays. iznae hits next with a brilliant wobbling bassline that brings a warehouse feel to proceedings before the groove drops into an unexpected breakbeat section that harvey mason himself would be proud of. if its loopy downtempo house you re into then look no further than if the feelings right. layers of loops build and drop, filtering in and out whilst grooving steadily along at a sublime 88bpm. finally, changin goes on a classic deep house mission with soft stabs and synth riffs supplying the interest while a rolling beat propels things along in an understated yet powerful way.

as a final hurrah on hybrids most excellent fourth studio album >disappear here<, we are pleased to present some great new mixes of one of our favorite tracks on the album.
new prog-trance kings myon and shane 54 are first up with their skillful progressive re-interpretation. the pair add lush strings to the original while keeping things chunky and melodic.
retroid keeps the breaks flag flying with his beefy beats, slick production and polished sheen. to round things off for all those hybrid-istas who have been asking for the instrumental ... here it is!

soniculture presents the second and last volume of the >polis< remixes from billy dalessandros latest album, and what a way to end this project in style with four great floor fillers for the most demanding audiences. the ep kicks off with mobilees exercise one, who take >only your touch< through a ride of arpeggiated basslines and dark grooves only to melt later into the melody that is the heart of track, drifting into uplifting moments. an amazing result from this dynamic duo from berlin. americas own jason emsley, known for his releases on platzhirsch, takes a darker path down the techno lane and creates a mind blowing version of >in the red<, with his own processed vocals which end up being the core his message. from siteholder chicago, billys mate, brian ffar, creates a happy and playful version of >alphasex< fooling around with synths in ingenious ways. an amazing track filled with groove and originality that will bring only happiness to the listener. sonicultures label owner expander keeps the hypnotic feeling of >acidburn< but drives it over a stronger bassline towards a point where fine-tuned melodies take over and fill the soul with several sorts of feelings making it ideal for the mind and the soul...

this brussels-based crustacean s cosmic craft has to be heard to be believed. sounds spring to life from forgotten corners of your speakers, each one battling for your attention yet always emerging at the right time and the right place, painting its part of the picture. shards of broken breakbeat litter the sea-bed and form a solid back bone for this invertebrate s innovative use of samples, synths and instrumentation. leading you from one vast soundscape to the next, complete with unexpected plot twists in foreign waters, squeaky lobster s beats take you out of the aquarium and into the abyss. lapti (rus). this russian beatmaker scavenges most of his samples right off vhs or dictaphone tapes. melodies you ve never heard, together with familiar retro samples, create a nostalgic and cinematic mood. masterly produced hip hop instrumentals, a clear and fresh sound, new themes and original interpretations of old and good - this is the spin of lapti

the fifth neurhythmics release is a compilation of befriended artists, and this is reflected by the different interpretations of the individuals to what the labels sound is about. juergen provides the a-side with >common sense< a vocal-snippet driven house-track, that once again underpins his sound-aesthetics of having it sound live and mixed on the fly, straight out of the machine. the flip-side could not start off any better. quite possibly a future classic, >signature< by mike binary, has soul and emotion literally squeezed in between each of the effortlessly programmed beats, and has become one the favourite tracks at the neurhythmics hq to ever been put on the label. last but not least, >no other< by the dirty soul project (you will know these guys, but we were sworn to secrecy) firmly pulls the hand brake and slows things down to just over 110 bpm. this doesnt mean that this very hypnotic number isnt going to work in the early morning slots…au contraire, actually...

robber and bandit grew up with electronic music since the early 90s ... when they heard tiefschwarz perform some years ago at 10 days off , they decided to join their forces and creative energy and started their own project robber and bandit, which is a mixture of techno and electro with trancy soundscapes. luckely robber had enough experience and technique in producing through his drum n bass project and started to make high quality productions in no time. for the moment they found their balance and new stunning productions are coming your way. later that year bandit started producing minimal techno on his own: lee barrier was born! lee barrier has created in a very short period great skills and producer techniques with a lot of support by robber alias axi and the man behind wasted for life : jamie.

polskis and boston tea parties are never usually mentioned in the same sentence, this particular tea party took place in berlin in the summer of 2009, and instead of the traditional tea party antics, it involved devouring traditional polish pies and vodka. this became the recipe for an unprecedented collaboration. throw in a seth troxler inspired sample and that recipe becomes michelin starred! vodka sinkers catz & dogz get groovy with dope time travellers soul clap in a pairing which makes you think you dropped a tab, polished off a bottle and smashed the back out of some kosher delights.
*limited to 500 copies*. miss it and miss out.

wireman kicks off the new inner surface music label with 3 cuts of dubby technoid deepness.

syndrome picks up the pace again with another fat slab of rolling tech business. krone is the one taking the stand and starts off with a steamrolling roller made together with >malsum< we are not alone is one to keep your eyes on. like ghost train you can hear it coming in from miles away rattling along the tracks with the cries of all its zombie passengers inside.dont let this one get you as youll lose your brain.for babylon 21 krone trucks along solo style.. things turn a bit lighter but are all about the groove. like back in the old days before all the sounds got processed to death.. this one keeps it subtle groovy and funky all at the same time!